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Mapping Prefectural-Level Financial Mobilisation in Wartime Japan
AIDigital CartographyJapanese StudiesNew PostOCRVisualization

Mapping Prefectural-Level Financial Mobilisation in Wartime Japan

The Japanese government was able to sustain total war against the Allied Powers for almost half a decade after losing…

BRIAN WongOctober 6, 2026
On TRAJECTORIA: An Interview with Prof. Kawase Itsushi (NIHU DH × The DO Interviews #1)
DH in GeneralInterviewVisualization

On TRAJECTORIA: An Interview with Prof. Kawase Itsushi (NIHU DH × The DO Interviews #1)

This is our first interview as part of the NIHU DH × The DO Interviews. This series features interviews with…

The Digital OrientalistSeptember 22, 2026
Texts in Their Right Places: A Situated Reading of a Situated Literature
New PostSoutheast Asian StudiesTextual AnalysisVisualization

Texts in Their Right Places: A Situated Reading of a Situated Literature

In this essay, I explore how we can read Indonesian literature in a way that preserves the highly particular and context-bound character of individual literary works while also accounting for the heterogeneity of Indonesian literature as a whole.

Leon WoltermannSeptember 18, 2026
The Affective Algorithm: Mapping the Emotional Architecture of Fatimid Geniza Petitions (Part 2)
New PostTextual AnalysisVisualizationWorkflow

The Affective Algorithm: Mapping the Emotional Architecture of Fatimid Geniza Petitions (Part 2)

This is a guest post by Abdulqadir K Haidermota. This post is the second of a two-part series. The first…

The Digital OrientalistApril 17, 2026
The Affective Algorithm: Mapping the Emotional Architecture of Fatimid Geniza Petitions (Part 1)
New PostTextual AnalysisVisualizationWorkflow

The Affective Algorithm: Mapping the Emotional Architecture of Fatimid Geniza Petitions (Part 1)

This is a guest post by Abdulqadir K Haidermota. Introduction: The Affective Engine of the State ‘Recently the slave was…

The Digital OrientalistApril 14, 2026
Current Trends in Digital Corpora and Manuscript Archives of Classical Ethiopic (Ge’ez)
African LanguagesAfrican StudiesBiblical StudiesDH in GeneralDH in PracticeDigitizationNew PostOnline ResourcesTextual AnalysisTopicsVisualization

Current Trends in Digital Corpora and Manuscript Archives of Classical Ethiopic (Ge’ez)

Classical Ethiopic (Ge’ez: ግዕዝ Gəʽ(ə)z), one of the classical written languages preserved on the African continent, has sustained religious and…

So MiyagawaApril 3, 2026
The BADR Project (7th–21st c.) – A TEI-Based Approach to Premodern Islamic Texts
Islamic StudiesNew PostVisualization

The BADR Project (7th–21st c.) – A TEI-Based Approach to Premodern Islamic Texts

This article was written by guest contributor Adrien de Jarmy (University of Strasbourg) and Clarck Junior Membourou Moimecheme (Sorbonne Nouvelle…

The Digital OrientalistFebruary 3, 2026
Marimo Notebooks
CodingDH in GeneralNew PostSoftwareVisualization

Marimo Notebooks

In a previous post, I have highlighted the usefulness of notebooks for writing Python code. I mentioned tools like Jupyter…

Zach ButlerJanuary 13, 2026
From Print to Place: Creating an Integrative Geolocalization Workflow Using Citizen Scientists and Computer Vision AI
AIConference ProceedingsDigital CartographyJapanese StudiesOnline ResourcesVisualizationWorkflow

From Print to Place: Creating an Integrative Geolocalization Workflow Using Citizen Scientists and Computer Vision AI

This contribution is based on a presentation given at The Digital Orientalist’s Virtual Conference 2025 (AI and the Digital Humanities)…

The Digital OrientalistDecember 12, 2025
Comparing Sentiments in Yuan Zhen’s and Bai Juyi’s Poetry: A Computational Analysis Across Time and Space (Part 2)
Conference ProceedingsDigital CartographySinologyTextual AnalysisVisualization

Comparing Sentiments in Yuan Zhen’s and Bai Juyi’s Poetry: A Computational Analysis Across Time and Space (Part 2)

This is the second and final part of a contribution based on a presentation given at The Digital Orientalist’s Virtual…

The Digital OrientalistDecember 5, 2025

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